Author Archives: Eleanor Louson

Eleanor Louson

About Eleanor Louson

Eleanor Louson is a PhD student in the Science and Technology Studies program at York University. She has degrees in biochemistry and philosophy from Bishop's University and a MA from the IHPST. She now works in the philosophy and history of biology, with a focus on evolutionary theory. Current research interests include the adaptationism debate, the communication of science in wildlife documentaries, and the Canadian shell shock experience in WWI.

Big pharma, at home and outsourced

When I was in college, a friend told me something that sounded too good to be true: I could get paid forty dollars for a blood test. And if I didn’t have a history of a certain symptom, they would pay me forty dollars every month for the next two years in exchange for more blood tests. They were in the last year of signing up subjects for a clinical trial (something I’d read about in my biochemistry classes) on a common, as-of-yet uncured disease for which a bigger pharmaceutical company had developed a vaccine. There were no abnormal reactions worse than those of a flu shot, and I might get the placebo, making the whole thing even more of a walk in the park. The first nurse I talked to assured me that during the trial, anyone contracting the disease would receive immediate and free treatment for as long as it was required, even if they had been on the placebo.

If the above sounds like your dream job, you can be a guinea pig, joining the ranks of many familiar faces from Western popular culture. Medical test subject was the entry-level occupation in the first version of The Sims, and is featured a few times on the Simpsons. When Bart gets expelled, he imagines a future testing dangerous food additives; the “2-4-dexoxypropaniramine” in Nature’s Goodness, a new diet soft drink, mutates him into a hulking beast (whereupon the lead scientist remarks “pleasing taste, slight monsterism”). In a different episode, Homer signs up to be a guinea pig at the “Screaming Monkey Research Lab” where he goes blind from a diet pill.

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The Trusty, Trusted Camera

Eleanor Louson

Welcome to the latest in a series of posts about wildlife films and their representation of nature.  New readers can catch up with an introduction to the history of wildlife films, Disney’s True-Life Adventures or Disney’s more recent foray into big screen family-friendly wildlife documentaries.

In this post I’ll be rewinding back to the precursor to wildlife filmmaking: photography. Concern about a film’s authenticity or the decisions of particular filmmakers are in line with a much older discourse regarding the authenticity of photographs of animals, and with the prevalence of professional and amateur photographers today, publishers walk a fine line between disclosing the gory details (which nowadays include staging, rented animals, and Photoshop) of how certain shots were obtained and losing an audience expecting the increasingly spectacular between the pages of National Geographic.

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Wildlife Films 101

Eleanor Louson

Man can have but one interest in nature, namely, to see himself reflected there; and we quickly neglect both poet and philosopher who fail to satisfy, in some measure, this feeling. John Burroughs, A Year in the Fields.

When was the last time you saw a wild animal? Leaving out pets, squirrels, and pigeons, there’s a good chance it was in one of two places: Youtube, home of hilarious cat videos emailed by colleagues (like this one) or in a wildlife film.

Wildlife films are remarkable intersections between human and animal life at both the level of their production by naturalists and filmmakers and their consumption by the public. This film genre has been a major player in the 20th century relationship between the public and the “wild,” however construed. And even though the science of animal behavior seems to have reached more people through wildlife on film than any other modern medium, the topic remains for the most part unexplored in the field of history and philosophy of science. I think wildlife films have a tremendous amount to offer interdisciplinary accounts of the relationships between human beings, biology, and wildlife.

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